Typically, I'm over zombie movies. Although classics like 28 Days Later and the early episodes from The Walking Dead were gripping, the genre feels mostly depleted nowadays. Even the much-awaited 28 Years Later remains sitting in my watchlist for some time. But, the platform's new Indonesian horror film, The Elixir, succeeded in defy what I anticipated and proved remarkably entertaining.
Excellent Rhythm and Personal Growth
Among the film's strongest assets lies in the superb rhythm. It kicks off with a striking opening sequence in which a peaceful family gathering is violently disrupted when a vehicle crashes into the guest area. Out of the van, a very undead-looking stranger stumbles out and begins assaulting the attendees. This intense moment is immediately succeeded by a flashback, giving viewers to see the family before the tragedy struck.
In contrast to numerous undead movies, The Elixir truly gives the audience enough opportunity to get to know the primary personalities prior to the carnage ensues. We meet Nes, a married mother whose ex close friend, Karina, is now married to her dad—a clearly uncomfortable dynamic. Naturally, this has predictably led to a rift among Nes and Karina. We also see Nes' brother, Bang, described as kind-hearted yet socially awkward, and he loves playing video games alongside Nes' young son, Raihan. Her spouse, Rudi, appears to have recently been unfaithful to Nes. This household head is Nes' father, the owner of a well-known herbal remedy business named Wani Waras, and who appears to care about just two aspects: his business and his marriage to his daughter's ex-best friend. Needless to say, this family reunion is incredibly tense.
Invested in the Drama
I became so invested in the household's issues along with their personal conflicts that I almost forgot I was watching a scary movie—which might seem like a negative, yet ultimately worked well. The Elixir dedicates a considerable portion of the film depicting viewers the identity of every relative is, and how they contribute to the general dysfunction. This focus on clashing traits enabled me to connect to the personalities enough to be concerned for their outcome—a rare feat for this style that often introduces individuals only to eliminate them soon after. The Elixir avoids portraying its cast as two-dimensional, expendable casualties for an army of the undead to devour, thus it's a real surprise when things finally go wrong.
Reminiscent of Parasite
The opening sequences of the party and the multiple family interactions actually evoke the movie Parasite, a story which disguises itself like a K-Drama with slightly dark comedy before taking a sudden turn into "holy shit" ground. These early scenes aren't centered too heavily on comedy compared to Parasite, but The Elixir nonetheless gives sufficient time to settle into its world prior to everything gets upended.
Unique Zombification Origin
This movie also offers a quite intriguing reason regarding the origin of the contagious zombification. Rather than a unintended laboratory incident or a type of biological weapon, the cause of this infectious condition stems from a new batch of Wani Waras natural medicines created by her dad. Although we do learn a bit about its origins, I wish the film devoted a little more focus on how Wani Waras transitioned from a trusted supplier of natural treatments to producing a deadly elixir which seems to include an extremely infectious virus. Despite the limited background, the impact this condition has on people is absolutely repulsive, which I love it. The Elixir's undead are fast, bizarre in appearance, and, perhaps worst of all, always smiling. This represents a daring decision, yet it succeeds. The Elixir's physical effects and computer graphics also appear very convincing, and they're practically guaranteed to provoke a fear of holes.
Capable Personalities
More impressive than the disgusting moments are the characters themselves. Of course, we see some instances of questionable choices (as in typical undead film), however generally, Nes and her family show themselves resourceful and quick-thinking. They also don't hesitate to strike a zombie in the face, pierce it with a pitchfork, or beat it over the head with the nearest heavy object is available instead of standing still like prey in headlights while danger approaches.
Believable Family Strike
The Elixir doesn't drop its themes of familial discord once individuals begin transforming to the undead, which was a pleasantly authentic subversion from the "We don't get along|"We have issues, but since you nearly died so I instantly forgive you for all your mistakes!" cliché frequently used in apocalyptic films. It's clear, Nes cares for her family and cares about her husband, Rudi, yet it's equally clear she remains clinging to bitterness over his betrayal in their relationship. Once the household becomes split up, they decide via telephone to regroup at a close location. However, once Bang reveals he doesn't know the way to the location, Nes expresses a massive level of irritation toward Bang which has obviously been brewing over time. Nes is not perfect, and her family—flawed as it is—seem realistic and understandable because the film doesn't try to promote the idea that nearly dying instantly cures familial strife. This makes the moments where these individuals express appreciation toward one another seem far more genuine.
Predictable Conclusion
Despite The Elixir's best attempts to break new ground, the conclusion must be said to be somewhat stereotypical. The Elixir doesn't truly offering up any deep insight regarding relatives or community, either. Rather, it's mostly delivering frights. Yet these are successful frights, and because the movie allows every personality enough room to develop and avoids penalizing them for having flaws, the result proves a captivating and enjoyable
