The work of Portishead co-founder the musician-producer, this sharp-edged if undernourished first film casts a critical gaze on 90s rave culture. Self-serving drug user David (Marc Bessant) initially steals from an passed-out supplier, then in a later recollection tries to burgle his own family home. Before you can say, he's upside down in the wreckage of his car in a woodland – and subject to the angry eye of the Poacher (Sleaford Mods frontman Jason Williamson). Refusing to extricate David, with no time for townies, he is a fractured society personified: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
Game gets off to a shaky start, lingering excessively on pedantically chronicling David’s attempt to free himself from his seatbelt, while awkwardly transitioning into flashbacks of his everyday life. The bigger point – that the ecstasy generation were mainly focused on themselves – is clearly conveyed. But these brief episodes are too thin to adequately prepare us for what to expect when the Woodsman turns up, fuming after David kills his dog. Still, a grimly amusing standoff unfolds – David eager to get away; the Poacher withholding his jerrycan of scrumpy, intent on soaking him instead in embittered discourse. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Promo-Inspired Vibe
Just a single key story turn, but it results in a hilariously staged rampage on the forest trails that veers toward folk horror. Filmmaker John Minton finally gets to go all in with his showy imagery: where he was hunkered down doing artful shots of insects in the light in the opening part, he now goes all out with the full psychedelic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. The movie resembles an elongated music video than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings et al into successfully graduating from the UK video industry.
The film releases in British and Irish cinemas from 17 November.
